~Playboy is shown behind the wheel of a car, scenery of the countryside passing his window. He is constantly surveying the landscape~
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Playboy (to himself): “This is the middle of *BEEP*ing nowhere...”
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~The voice of a GPS is heard~
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GPS: “Destination, ahead on the left.”
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~The scenery passing his window slows as Playboy presses the brake and comes to a stop. A driveway appears outside his window, a slight incline overgrown with vegetation. There are so much grass, weeds and trees that there is no way to see where it leads~
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Playboy: “You have got to be *BEEP*ing kidding me.”
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~He looks at the GPS to make sure that this is, indeed, his destination. He sighs, looks one last time at the driveway, and reverses so he can pull in. The camera turns to record out the front windshield of the Bentley as Playboy slowly drives up the driveway, the car bouncing up and down with the bumps. After 2 slight curves, an opening appears. As the car approaches the opening, an old, abandoned house appears on the right. Playboy pulls to the front of the house, puts the car in Park, then turns it off. He looks the house over through the windshield~
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Playboy: “Jesus Christ...”
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~He takes off his seat belt, opens the door and gets out. The cameraman does the same on his side and rounds the back of the car to show Playboy staring at the house. Playboy is not wearing his typical suit and shoes, but rather just a regular t-shirt, jeans and running shoes. He is clutching some papers in his hand. He looks at one, and then back at the house, as if to compare~
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Playboy: “Looks like the place. Well...let’s go have a look.”
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~He approaches the dingy looking porch and delays a second, taking a look to make sure it’s safe. He places a foot on the first step and slowly begins to transfer his weight on the foot. It creaks, but holds the weight. He proceeds up the steps, onto the porch and to the front door. The screen door is barely hanging by the bottom hinge. He slowly pulls it aside with his left hand as it makes a soft scream. His right hand reaches out for the doorknob and, with a twist, the front door opens, releasing a bit of dust to the outside. Some of the dust gets into Playboy’s face, causing him to sneeze~
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Playboy (post-sneeze): “*BEEP*”
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~Recovering from the sneeze, he slowly steps through the door and into the house, the camera following. The long hall proceeds through the house to the back door in what appears to be the kitchen. As he walks through the hall, he steps into each of the rooms for a quick glance, as does the camera. Although some areas have obviously been exposed to some of the weather conditions, the antiques inside remain remarkably well preserved and in their place. He enters the kitchen at the end of the hallway and pauses to look around. Dishes remain in the sink, unwashed for what looks to be an eternity. He peers out a window to see a barn in the back and a long, empty field. To the right is a staircase leading upstairs and, to the right of the stairs, a door with a broken padlock hanging from a security loop. Playboy pokes his head up the stairs to have a look, then slowly proceeds up. A loud crack is heard from one of the steps, but it does not break through. Playboy looks to the cameraman~
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Playboy: “Be careful on that one.”
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~Slowly but surely, he makes his way to the top and surveys the area. Three doors are shown, all closed. He opens the first door and looks into what is obviously a girls room. A couple of dolls lie on the floor, as do a Barbie and a doll house. Playboy looks around to the walls, surprisingly bare~
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Playboy: “Hmph.”
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~He retreats back to the hallway and toward the second room. He turns the handle but the door does not open. With a little thrust of the shoulder, the door pops open with a loud creak. Playboy examines the door~
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Playboy: “Just a little stiff, that’s all.”
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~Stepping into the room, he spots a few toys on the floor and bunk beds against one wall. He walks up to the bunk beds and puts an elbow on the top bunk while looking over the room. Spotting something close to the bed, he bends down and picks up a baseball. He looks it over, gives it a little toss in the air and catches it with the same hand. With one last look around, he places the ball on the top bunk before walking out of the room and closing the door. He walks toward the last room and gives the handle a twist. The door slowly swings open revealing the master bedroom, oddly dark despite it being the middle of the afternoon. Playboy wipes his brow as it is definitely hot in this house with no ventilation. This room is meticulously kept, everything on top of dressers and tables neat and proper. Playboy spots some photo frames beside a vanity mirror on one of the tables and approaches. He picks up one of the frames and dusts it off, showing an adult couple in nice attire. He places that frame down, picks up another and dusts it off. This photograph reveals three children, which he examines closely. After a few seconds, he explodes in a fit of rage and throws the frame against an opposite wall, shattering it. He calms himself down and exits the room to proceed down the stairs. Reaching the bottom, he looks over to the door with the broken padlock. He pulls the door open to reveal a string handing from the ceiling. He pulls the string...nothing. He looks to the cameraman and reaches out~
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Playboy: “Let me have that.”
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~The camera moves to Playboy’s hand and we see the light being turned on. The camera slowly leads down a set of stairs to the basement~
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Playboy: “*BEEP*... it stinks down here.”
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~As Playboy turns at the bottom of the stairs to see the rest of the basement, we see chains and shackles hanging from the walls. An examination of the floor reveals more chains and shackles bolted to the floor~
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Playboy: “What the *BEEP*?”
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~Playboy hands the camera back to the cameraman~
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Playboy: “Just keep the light just a bit ahead of me.”
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~Playboy continues through the basement, seeing a table with straps in the middle, and a tub in the far end of the room. He walks past the table, briefly grabbing at a strap to test the strength~
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Playboy: “Can you believe this *BEEP*?”
~As Playboy approaches the tub, the light reveals some obvious staining on the inside. The stench is proving to be a little too much for both Playboy and the cameraman, who both turn and step away~
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Playboy: “This is enough.”
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~As he steps toward the door, something against the wall on the floor catches Playboy’s eye. He reaches down and pulls up...a Halloween mask, eerily similar to the one regularly worn over Cryl’s head~
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Playboy: “This is *BEEP*ed up, man.”
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~He drops the mask and proceeds back up to the kitchen. Looking out the window, he again sees the old barn out in back. He unlocks the back door and heads out. Stepping down from the porch, a path appears in the uncut brush toward the barn. Playboy proceeds along the path slowly and carefully until he reaches the large main doors. He grabs one of the handles and pulls open one of the doors a couple of feet and steps through. The light from the sun beams through the cracks in the roof boards and the partly open door. Playboy walks to the middle of the barn, straw lining the floor but, oddly, no heavy machinery inside. He stands in the middle of the room, looking upwards to the roof and loft. A female voice emits...~
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Voice: “We knew you would come.”
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~Playboy quickly turns around, startled. The camera turns to reveal Seraphim and Cryl sitting on bales of hay in a darkened corner as Playboy clinches his fists. The scene fades to black~
*